Verbal Jewels from Al-Andalus

  

Remembering Silves

 

Well, Abu Bakr,

greet my home place in Silves

and ask the people there

if, as I think, they still remember me.

 

Greet the Palace of the Balconies

on behalf of a young man

still nostalgic for that place.

 

Warriors like lions lived there

and white gazelles

in what beautiful forests

and in what beautiful lairs!

 

How many pleasurable nights I spent

in the shadow of the palace

with women of opulent hips

and delicate waists:

 

blonds and brunettes.

My soul remembers them

as shining swords and dark lances.

 

With one girl I spent

many delicious nights

beside the bend of the river.

Her bracelet resembled

the curve of the current

 

and as the hours went by

she offered me the wine

of her glance or that of her glass

and sometimes that of her lips.

 

The strings of her lute

wounded by the plectrum

caused me to shiver

as if I had heard a melody

played by swords on the

neck tendons of the enemy.

 

When she took off her cloak

and revealed her waist,

a flowering willow branch,

it was like a bud

opening to reveal the flower.

--King Al-Mu‘tamid of Sevilla*

 

(*Al-Mu‘tamid, the “Poet-King” of Sevilla, reigned from 1068 to 1091. He was dethroned and then exiled to Aghmat (Morocco) by the Berber Almoravids whom he himself had invited to Spain to help the Moorish rulers fight Alfonso VI. He died in captivity in Aghmat in 1095. With his exile the great age of Islamic culture began to decline in Spain.)

 

 

 

Chastity 

 Although she was ready to give

herself to me, I abstained

and did not accept

the temptation Satan offered.

 

She came unveiled in the night.

Illuminated by her face,

night put aside its shadowy

veils as well.

 

Each one of her glances

could cause hearts to turn over.

 

But I clung to the divine precept

that condemns lust and reined in

the capricious horses of my passion

so that my instinct

would not rebel against chastity.

 

And so I passed the night with her

like a thirsty little camel

whose muzzle keeps it from nursing.

 

She was a field of fruit and flowers

offering one like me no other enjoyment

than sight and scent.

 

Know then that I am not

one of those beasts gone wild

who take gardens for pastures.

 

--Ibn Faraj

10th century, Jaén

 

 

Grainfield

Look at the ripe wheat

bending before the wind

like squadrons of horsemen

fleeing in defeat, bleeding

from the wounds of the poppies.

--Ibn ‘Iyad

1083-1149, Central Andalusia

 

Reflection of Wine

Light passing through wine

reflects on the fingers

of the cupbearer

dyeing them red

as juniper stains the muzzle of the antelope.

--Abu l-Hasan ‘Ali ibn Hisn

11th century, Sevilla

 

 

Serene Evening

A serene evening.

We spend it drinking wine.

The sun, going down,

lays its check against the earth

to rest.

 The breeze lifts

the coattails of the hills.

The skin of the sky

is as smooth as the pelt

of the river.

 How lucky we are to find

this spot for our sojourn

with doves cooing

for our greater delight.

Birds sing,

branches sigh

and darkness drinks up

the red wine of sunset.

 --Muhammad ibn Ghalib al-Rusafi

12th century, Ruzafa, Valencia

 

The Rooster

 Sparks shooting from his eyes

and wearing a poppy on his head

he arises to announce the death of night.

 When he crows he himself listens

to his call to prayer

then hurriedly beats his great wings

against his body.

 It seems the king of Persia

gave him his crown

and Maria the Copt, sister of Moses,

hung the pendant around his neck.

He snitched the peacock’s dressiest coat

and to top if off

his strutting walk

he stole from a duck.

 --Al-As‘ad Ibrahim ibn Billitah

11th century, Toledo

 

 

The Goblets

 

The goblets were heavy

when they were brought to us

 

but filled with fine wine

they became so light

 

they were on the point of flying away

with all their contents

 

just as our bodies are lightened

by the spirits.

 

--Idris ibn al-Yamani

11th century, Ibiza

 

Leavetaking

On the morning they left

we said goodbye

filled with sadness

for the absence to come.

 

Inside the palanquins

on the camels’ backs

I saw their faces beautiful as moons

behind veils of gold cloth.

 

Beneath the veils

tears crept like scorpions

over the fragrant roses

of their cheeks.

 

These scorpions do not harm

the cheek they mark.

They save their sting

for the heart of the sorrowful lover.

 

--Ibn Jakh

11th century, Badajoz

 

Split My Heart

 

How I wish I could split my heart

with a knife

put you inside

then close up my chest

 

so that you would be in my heart

and not in another’s

until the resurrection

and the day of judgment.

 

There you would stay while I lived

and after my death

you would remain buried deep in my heart

in the darkness of the tomb.

 

--Ibn Hazm

994-1063, Córdoba

 

Walnut

 

Its covering is composed

of two halves so joined

it’s a pleasure to see:

like eyelids closed in sleep.

 

Cleave it with a knife

and you will say the convex side

is an eye bulging out

straining to see

 

while the inside is an ear

because of the convolutions

and crevices.

 

--Abu Bakr Muhammad ibn al-Qutiyyah

11th century, Sevilla

 

 

Mourning in Andalusia

If white is the color

of mourning in Andalusia,

it is a proper custom.

 

Look at me,

I dress myself in the white

of white hair

in mourning for youth.

 

--Abu l-Hasan al-Husri

“The Blind Man”  11th century   Eastern Andalusia

 

 

 

Insomnia

 

When the bird of sleep

thought to nest

in my eye

 

it saw the eyelashes

and flew away

for fear of nets.

 

--Abu ‘Amir ibn al-Hammarah

12th century  Eastern Andalusia

 

 

Rain Over the River

 

The wind does the delicate work

of a goldsmith

crimping water into mesh

for a coat of mail.

 

Then comes the rain

and rivets the pieces together

with little nails.

 

--Abu l-Qasim al-Manishi

12th century   Sevilla

 

 

Honey River

 

Stop beside Honey River

stop and ask

 

about a night I stayed there

until dawn, despite the gossips,

 

drinking the wine that comes

from the mouth or cutting

the rose of bashfulness.

 

We embraced like the limbs

of the trees embrace

over the stream.

 

There were cups of cool wine;

the Northwind was our cupbearer.

 

Flowers offered us

the aloe’s fragrance.

 

Reflections of floating lights

pointed like lances

at the cuirasse of the river.

 

There we stayed until

the jewels of frost

forced us to separate.

 

The nightingale’s song

made me feel sadder still.

 

--Ibn Abi Rawh

12th century  Algeciras

 

 

Black Horse with White Chest

 

Black hindquarters, white chest:

he flies on the wings of the wind.

 

When you look at him you see dark night

opening, giving way to dawn.

 

Sons of Shem and Ham live harmoniously

in him, and take no care for the words

of would-be troublemakers.

 

Men’s eyes light up when they see

reflected in his beauty

 

the clear strong black and white

of the eyes of beautiful women.

 

--Ibn Sa‘id al-Maghribi

1214-1274                        Central Andalusia

 

 

The Wind

 

There is no better procuress

than the wind

because it lifts garments

and uncovers hidden

parts of the body

 

weakens the resistance

of branches

and makes them lean over

and kiss the faces of pools.

 

No wonder the wind is used

as a go-between

to carry messages back and forth

between friends and lovers.

 

--Ibn Sa‘id al-Maghribi

1214-1274    Central Andalusia

 

 

The Fountain

 

What a beautiful fountain

bombarding the sky with shooting stars

that leap agile as acrobats.

 

Gushing loops of water slide out

and race toward the basin

like terrified vipers.

 

Used to running furtively

underground, the water flees

when it enters an open space.

 

Resting peacefully in its new place

the bubbling water smiles

revealing pretty teeth,

 

a mouth so sweet

enamored trees bend over and kiss it.

--Ibn al-Ra’i‘ah

13th century   Sevilla

 

 

Philipse Manor Railroad Station, The Hudson Valley Writers' Center headquarters and performance space

 

Text Box: The Spirit of Andalusia
A Joyous Celebration of Diversity and Cultural Understanding

 

 

 

 

 

Text Box: STORYTELLING & POETRY READINGS 
Hudson Valley Writers’ Center, 300 Riverside Drive, Sleepy Hollow, NY
Sunday, November 6th, at 4:30 pm
 
 

Text Box: Writers and poets will read from their works and offer their varying perspectives of “living together” in today’s world.

Text Box: Invisible to my eyes, thu art ever present to my heart.
Thy Happiness I desire to be infinite, as are my
      sighs, my tears, and my sleepless nights!
Impatient of the bridle when other women seek to
      guide me, thou makest me submissive to thy
      lightest wishes.
My desire each moment is be at thy side.
      Speedily may it be fulfilled!
Ah! My heart’s darling, think of me, and forget me not,
      however long my absence!
Dearest of names! I have written it, I have now traced
      that delicious word — I’timad!
 
The Poet—King of Seville  al-Mu’tamid

Text Box: Herbert Hadad is an award-winning American essayist who traces his heritage back to Syria. His work has appeared in numerous publications, among them The New York Times (with some 325 bylined pieces), Poets & Writers, Reader’s Digest, Parenting, The Boston Globe, and Yankee. A collection of his essays, entitled Home Fires, is scheduled for publication this fall. He has received the New York Press Club award for feature writing, and one of his articles was included as a “notable essay” in The Best American Essays 2003.

Text Box: Sholeh Wolpé is a poet and translator who was born in Iran, spent most of her teenage years in the Caribbean and Europe, and came to the United States as a young adult, where she pursued masters degrees at Northwestern University (in radio, TV, and film) and Johns Hopkins University (in public health). She is the author of The Scar Saloon (Red Hen Press, 2004), a collection of poems hailed for their humanity and compassion. Her poetry and translations have been published in many literary journals and anthologies in the U.S., Canada, and Europe. She is the director and host of Poetry at the Loft, a popular poetry venue in Redlands, California.

Text Box: Mansour Ajami was born during World War II in Saghbine, a poverty-stricken Lebanese village that had undergone little change since the Middle Ages. Today he holds degrees in Arabic literature and Western philosophy from the American University of Beirut and Columbia University. He is currently a translator at the United Nations. Mr. Ajami plays the oud (similar to the guitar), sings and composes Arabic music, and writes poetry in both English and Arabic. His autobiography, The Book of Generations: A Reunion with Memory, has recently been published.

Text Box: Matthew Shenoda is a Coptic poet, educator, and activist. He is a faculty member in the College of Ethnic Studies at San Francisco State University and a recipient of a California Arts Council grant and a Lennan literary residency. His debut collection of poems, Somewhere Else, was published by Coffee House Press. He is currently editing To This Revolution We Will Rise: A Global Anthology of Poetry (Third World Press).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

Co-sponsored by:

The Hudson Valley Writers' Center

 

The Hudson Valley Writers' Center

 

 

For more information, please contact Salem Mikdadi or Joyce Needleman Stanton at 914 591-8194 or     e-mail us at alandalus@verizon.net 

 

 

 

 

 

 

 

 

 

Text Box: Selected Poetry from Al-Andalus

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

في رحاب الأندلس

 

 عشقت أندلسا من قبل رؤيتها            يشدني نحوها حبل من النسب

  وكنت أقرأ عنها كلما وصلت            إلى يدي نشرة من عالم الكتب

وأسأل الله إن سرا وإن علنا             زيارة لشفاء الشوق والأرب

           فزرتها فرحا والدمع يغلبني              شكر على فعلها في عصرها الذهبي

        وزادني ما أرى في أرض أندلس       فخرا بما أبدعت في العلم والأ د ب

           تزايد العشق في نفسي وفي خلدي       وخلتني في السما أمشي على السحب

   وطفت في حمرائها والعقل منبهر       فروعة الفن فاقت  كل محتسبي

وزادني ثقة في كون أندلس              قد خلفت درة في جبين العرب

          وأسسوا دولة بالعد ل قد حكمت         فاستقطبت امما من مشرق أو مغرب

 وأنشاؤا للعلم  دورا   سمحة            يأتها الطلاب من روم ومن عرب

وأبدعوا حينما شادوا قصورا كله        فن بديع  محط الفخر والعجب

               وعاش فيها جميع الناس من أمم         تمارس الدين جهرا غير مستلب              

وخلدوا في صميم الشعرمفخرة          موشح ألأندلس للفن والطرب

فالناس تشدوا بهذا الشعرمن طرب      في كل صقع  من بلاد العرب

                                                                          عادل العاقل

 

 

 

In the Loving Memory of Al-Andalus

 

I loved Andalusia before seeing her. What drew me to her was a rope of kinship.

I used to read about her each time my hands reached out for a word from the world of books.

I asked God, with my heart and with my lips, to grant me a visit that would cure my burning love.

And then joyfully I did visit her, the tears beating me. Thankful I am for all she has accomplished in her Golden Age.

And more than that—I’m filled with pride to see her blossoming in arts and sciences.

My love for her increased in my heart and in my soul. She let me in the sky walk on the clouds.

And she roamed in her Alhambra, its beauty filling mind and soul beyond imagining.

My confidence in her creation grew and I saw that Andalusia was a brilliant jewel on the forehead of the Arabs,

Who founded a state where justice reigned, becoming a magnet for nations East and West,

And created houses of knowledge that drew students both from Rome and the far reaches of Arabia.

They excelled when they built palaces, a source of pride and wonder still.

In Andalusia there lived people from a multitude of nations, each unfettered in their worship of the Almighty.

Her poets left in the core of poetry pride. And the Andalusian ballad for melody and art was born.

These ballads and melodies form a tapestry to which Arabs everywhere still cling.

Adel Al-Akel   ICCNY President

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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